I operate at the intersection of technology and thought, where tools shape meaning as much as materials. Guided by "concept over form," my process prioritizes exploration over resolution—each work is a means of exploring ideas rather than only producing material outcomes.

I work fluidly across internet art, 3D computer graphics, video, and other forms—whichever best serves the underlying concept. Each work is an experiment—reimagining hardware as interactive systems or crafting websites that function as post-internet artworks critiquing mediated experiences and cultural norms.

Mobile devices and 3D printers function as extensions of my process, while explorations in AI have evolved into a form of collaboration—shaping both the development and interpretation of meaning. Commercial production methods also inform my practice, further blurring the line between art and product.

These explorations have led me to examine the symbiotic and parasitic relationship between artist and technology, highlighting how technology both supports and complicates creativity. I also reflect on the increasingly fragmented existence we navigate, offering recognition, dialogue, and commentary on the transformation from the physical to the virtual—a shift profoundly mediated by technology.